Around Twilight Lecture Demonstration

Messiaen's Colourful Gazes
「薄暮樂敘」示範講座:梅湘斑斕的默想
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Around Twilight Lecture Demonstration

Messiaen's Colourful Gazes
「薄暮樂敘」示範講座:梅湘斑斕的默想
Sat
28
May
2022
Grand Hall
Lee Shau Kee Lecture Centre, Centennial Campus
The University of Hong Kong
5:30PM
For ages 8+
$20 (admin fee)

Programme

MESSIAEN Vingt regards sur l'Enfant-Jésus
XI. Première Communion de la Vierge
XV. Le Baiser de l'Enfant

This event is part of 'Around Twilight Lecture Demonstration' Series.
這場講座為「薄暮樂敘」示範講座活動之一

(In Cantonese 粵語主講)

Olivier Messiaen's 1944 Vingt regards sur l'Enfant-Jésus is a classic in the 20th-century piano solo repertoire. Cast in twenty contemplations on the infant Jesus, the epic set represents a perfect ground for understanding Messiaen's compositional techniques. This lecture-demonstration will focus on the Thème de Dieu (Theme of God), one of the three distinctive themes around which Vingt regards sur l'Enfant-Jésus is constructed. Talented local young pianist Shelley Ng will lead audience into a glimpse of this tour-de-force against a background of the cycle's indebtedness to numerology, Catholic symbolism, Indian and Greek rhythms, while exploring Messiaen's idiosyncratic musical language.

梅湘於1944年發表的《聖嬰二十默想》是20世紀鋼琴獨奏曲目中的經典。這套史詩般的作品是他對基督降臨的二十個默想,也是理解這位法國巨擎的作曲技巧的完美範例。是次「薄暮樂敍」將重點討論構建《聖嬰二十默想》的三個獨特主題中的「上帝主題」。才華橫溢的本地年輕鋼琴家吳宇晴將娓娓道來梅湘如何糅合數字學、天主教象徵符號、印度和希臘節奏,成就其別樹一幟的音樂語言,帶領觀眾一窺這首傑作的堂奧。

Artists

吳宇晴/鋼琴 Shelley Ng, piano
陳慶恩教授/主持 Prof. Chan Hing-yan, host

Sat
28
May
2022
Grand Hall
Lee Shau Kee Lecture Centre, Centennial Campus
The University of Hong Kong
5:30PM
For ages 8+
$20 (admin fee)

Online Version

 

Online Version

 

Remarks

  • Patrons under the age of 8 will not be admitted.
  • The programme is approximately 1 hour without intermission.
  • Guests are advised to arrive punctually. No latecomers will be admitted until a suitable break in the programme.
  • Please show the QR code in your ticket confirmation email for admission.
  • Programmes and artists are subject to change.
  • The presenter reserves the right to make final decisions on seating arrangement.

Presented by

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Supported by

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